The Afghan Girl realism painting project part 2

Got some time between classes so might as well get on with it. This time adding second layer mostly on the right side and correcting areas that needed to be corrected. This was done yesterday.

Today, did some glazing and dry layers to add texture to skin. I find that it works pretty well and I have a new found respect to acrylic paint. Even though its a nightmare to blend, even when I used flow medium, some dry layering actually gives much better texture effect than using oil.

I've added more details on the eyes, eyebrow, lips and hair. Still need to edit some tonal values on the face and give it more layers and texture. Head scarf on the right side still mostly undone. Maybe I'll tuck in the chin a bit more. Its great to see my painting though a photo. Helps me look at my painting more objectively and can clearly see areas I need to improve. Lips too dark I think... she looks like a heavy smoker. Will add some color soon. To be continued...

The Afghan Girl realism painting project part 1

Who doesn't know the Afghan Girl photo by Steve McCurry. One of the fine example of how a picture can say a thousand words. A young refugee from a war-ridden country, opened a window for us to take a glimpse at her life, though those green piercing eyes.

Been busy teaching people how to paint, but its been awhile since I have painted. So I think its about time I should refer, reflect and realize. Decided to paint photo-realistic of The Afghan Girl. To challenge myself further, I decided to paint it with acrylic.

There's many ways to approach this work. Alla prima method, grisaille method... but I decided this way...

On a 16"x18" canvas, I started with a sketch then glaze a layer of sienna. Once dried, did an under-painting of almost flat colour. Only hints of tonal values applied so it would give me a rough hints as to where the dark areas are. Once I've finished this, I can get a clear view of areas I need to adjust.

 I continued the second layer a few days later ( which was yesterday) when I had spare time after teaching. Now I gave it a little more details on the tones on the left side of the painting. As you can see the right side have not been touched yet, except for the eyes. I love painting eyes... when it turn out well, it gives me the motivation to move on... like I can't wait for it to be finished. Just painting this portion took me 2 hours. Blending is a nightmare with acrylic. I know I know .... I can use the retarder. But I didn't use it on purpose just to see how much I can do without it. Just be simple, add water.... and super hard. Maybe I'll use the retarder next time to save my frustrations.

I don't know when I will continue again but hopefully anytime soon. To be continued...

Mini exhibition in ARThaus Singapore

This Mini exhibition in ARThaus is to showcase works of our adult students who spent at least 1 year with us. Some with an honorable cause for charity and raising funds for to aid tsunami victims in Philippines.

The artists with us are Claudie Chassat, Karen Charmoille, Gauri, Shernaz, Kathrin Rehde, Ruth Ng, Leong Yiat Teng and Pathma.

As an art educator, I am thrilled to see these very artistic people find their own path of artistic journey. As you can see... we at ARThaus can show you the path, but you are the one who have to walk through it. Through practice, perseverance and passion...  Follow your guts...

And of course some showcases of the educator of ARThaus Carolyn Law, Maria Filatova and Aisha Ramat (me)

Literally and seriously funny

Something happened today that I least expect. Its funny that when you're just having fun and try to be funny, people take it seriously. LITERALLY!

 

 Oh the little bubble that says, 

"$200 please *slash* must buy"...

is not meant to be taken seriously too...

do you see the grinning face?

This is title Scissors, paper, stone. I did not have the title there but my painting says "LOM CHIAM PAS".
Ok my European friends did asked me what it means because duh... they're European. Then another local lady said,"  My daughter wants to know what that means. I said," Lom chiam pas" with a hand gesture showing 'scissors, paper, stone'. She slapped her palm on her forehead and said," Ooohhh... lom chiam pas!" Probably thinking why she hadn't got it before.

I just realized how comical it is... when I put certain text that is blatantly local, with a painting that looks like the hand of God from the Sistine Chapel, people thought I was writing in Latin or some "vavavoom" words.
But actually the message was simple... God playing Lom Chiam Pas ( in a  Chinese dialect) scissors, paper, stone ( in local English) ... or rock, paper, scissors ( in American) with Man.... and God wins. Thank you ladies and gentlemen and have a good night. :)

Samudera: Ribut (Storm) 24x30" mix-media on canvas

 

Since I have done loads of watercolor and sketching teaching in the studio, I have had enough. So for my Samudera theme for took a left turn. (since I'm right handed... so I would wanna go somewhere I have least been)

Preparation of the background is crucial. I dreamt that i was shot in the head... and somehow I can feel the bullet passing through my brains... when I woke up, I somehow have the urge to paint a storm. And at that right moment, I have a storm painting 24x30"  I have never completed. 

I added other mediums and with scumbling technique.... I think I've got what I wanted. 

Samudera: ombak, 20X24" , mix media on canvas 2013

I've came back to my Samudera project as I have that hollow feeling deep in me as when I know I've had somewhat abandoned my Samudera project in the midst of chaos of my work life. But there is no excuses.

I've worked with texture and layers with this one. Got to get it done in a spare room in my home which I've called "Da Studio", haha. Useful space for me... a place of creation for me. Although, I was scared to go in that room for a year because my grandma passed away in that very same room. I'm brought up in a superstitious culture... so forgive me if I seem " koo-koo". But yeah... have to stay rooted to my culture coz I can't brush it off....

But anyhoo, this work makes some up what  think is a step forward. What do you think?

Figure drawing 4

 

This the 4th piece of drawing I conjured from my break in-between classes. Charcoal and white chalk on latte colored Murano paper, the mediums just slides in synchrony, and added some negative space to balance out composition. 

Gave more details on the interlinked fingers in contrast to the figure itself.

Really enjoyed this session. 

Special thanks to the model who was willing to tolerate long exhausting poses. 

Hope this drawings do you justice.